The team at Cast Iron Studios wants to thank our clients, and the Northwest talent agents, managers and actors who helped make 2018 our busiest year to date!
Many thanks also to Oregon Film, the Portland Film Office, OMPA, SAG-AFTRA, our supportive city and state legislators, and our wider film and television community for making this a wonderful place to carve out a profession in the entertainment and advertising industries.
In gratitude, Cast Iron Studios was proud to support the following non-profits in 2018:
We here at Cast Iron Studios are firm believers in giving back, especially during the holiday season. We’re happy to announce that our eighth annual “Meals for Monologues” canned food drive-slash-holiday get-together will be a co-production with The Studio NW!
Be sure to note the new address: The Studio Northwest, 1633 NW Glisan.
Live in Oregon, but outside of the Portland Metro area and still want to audition? Repped by an agent, regularly seen at our office, and helping us out by leaving audition slots open to unrepped talent who may be new to us? We will accept demo reels or self-tapes from Oregon actors, in exchange for a screenshot of your donation to the Oregon Food Bank. Submission must be received by December 14th to guarantee viewing by our casting directors. See instructions below.
SELF-TAPE SUBMISSION INSTRUCTIONS FOR OUT-OF-TOWN ACTORS
You must be an OREGON LOCAL HIRE with a permanent Oregon address to submit for this general audition.
Self-taped monologue or professional demo reel must be no longer than TWO MINUTES.
If self-taping, be sure you are framed in LANDSCAPE mode, in a CLOSE-UP (head and shoulders), with good lighting and sound. Typically, you would direct your lines to the side of camera, not directly into the lens (it may help to use a real human off-camera).
Submission MUST be a LINK to view your video online, NOT a FILE attached to your email. Upload your video to Vimeo, YouTube or a similar platform and send us the direct URL only. Emails containing video attachments will be deleted.
You may password-protect your video, but be sure to send us the password with your submission.
Cast Iron Studios is seeking REAL BARBERS and REAL BOXING TRAINERS for an upcoming Adidas spot. This is a paid gig at union rates.
Submissions are due by 4pm on FRIDAY, October 5, 2018.
Casting is THIS MONDAY, October 8, 2018.
BARBERS: Male, black or mixed ethnicity, late 20s to mid 30s, with real barber experience. Charisma and ability to improvise is encouraged. Portland local hires only.
BOXING TRAINERS: Male, any ethnicity, age range 25-45, with expert-level training experience. Charisma and ability to improvise is encouraged. Portland local hires only.
This project is SAG-AFTRA, but we will consider both union and non-union performers.
Pay starts at union scale of $671.69 for one day of shooting. In addition, there are several options for internet, new media, print, industrial, and broadcast usage, which could bring this rate up by a few thousand–to several thousand–dollars, if exercised!
Shoot is on one of the following dates: Thursday 10/11, Monday 10/15, Tuesday 10/16, or Tuesday 10/23. You must be able to fully clear your schedule for the shoot date, if hired.
Wardrobe fitting is on Wednesday 10/10 or Friday 10/12.
If you fit the specs and are available for the shoot, please send an email to talent[at]castironstudios.com and include:
Level of experience as a BARBER or BOXING TRAINER
A clear head-and-shoulders photo (selfie is fine)
If we would like you to audition, we will contact you with an audition time for Monday.
Please no calls or drop-by visits. Only submit if you fit the specs, are a Portland local hire, and can clear your schedule for the shoot. Thanks and please share!
Special thanks go out to Brian Lord of the Portland Film Office/Prosper Portland, who encouraged us to keep the program going, even if on a smaller scale; to Tim Williams, Executive Director of Oregon Film, for his unwavering support over the years; and to the coaches, who helped us to nearly double the value of our available funds.
We are thrilled to have these wonderful and talented actors as part of this year’s Talent Diversity Initiative!
Lana was on hand at Sarajevo Film Festival for the Award Ceremony, and also helped her fellow International Casting Directors Network colleagues to produce a week-long program of events focused on the casting profession as part of the Festival. Check out the press release below!
FRANCESCO VEDOVATI WINS 2018 INTERNATIONAL CASTING DIRECTOR AWARD
ICDN Award for Best Casting presented on August 15that 24th Sarajevo Film Festival
The Award was established in 2016 by the International Casting Directors Network (ICDN), and represents the first ever international prize for best casting of a feature film.Board President Beatrice Kruger noted in her opening remarks that casting directors are virtually the only department heads to receive main-titles credit on a film without a corresponding national award (such as an Oscar , César or Lola). The ICDN therefore introduced the prize two years ago at Locarno Film Festival to help increase awareness of the essential role that casting directors play in the production of a film.
Vedovati won for the Matteo Garrone film “Dogman,” which made a splash earlier this year at Cannes. He had previously earned laurels from the Italian press association–the Nastro d’Argento–for Best Casting for the same film.
“This is the second award that I have received for this movie,” said Vedovati, “but for me, this is very special, because it is an award given by colleagues. […] It’s also very important to me, because, in the history of Sarajevo, I am the first casting director to receive an award for casting, so this will remain a part of history.”
Casting Directors representing 14 different countries received nominations for the International Casting Director Award:
In addition to the accolade, the ICDN and Sarajevo Film Festival teamed up to present a full program of events centering on the casting profession from August 12th to the 16th. Entitled “Casting at the Heart of Filmmaking,” the program comprised of panels, Q&As, an international acting workshop, a master class through Talents Sarajevo, an Award reception hosted by Spotlight, and “Meals for Monologues,” a food drive/casting call benefiting the refugees of Bosnia-Herzegovina.
“It’s amazing that on behalf of the Festival and myself that I can welcome so many prestigious casting directors to Sarajevo for the first time,” said Festival Director Purivatra. “And I’m quite sure that this week-long program focused on casting is going to be important, not only for you who are members of ICDN, but also for so many talents from the region […]. I hope we will not only build this together as the most prestigious event for casting directors, but that actors and actresses will also be almost queueing here. It’s going be a ‘must’ event.”
Veenker, who got her start in casting in London and spent a decade abroad before founding her company in Portland in 1999, is one of the only American casting directors to have been inducted into the association. The ICDN currently has more than 80 members hailing from 23 countries, and provides a network for casting directors from around the world to collaborate and exchange ideas. Its members meet each year at Berlin International Film Festival.
Founded in 2005 under the auspices of European Film Promotion’s Shooting Stars program, the ICDN became its own independent association this February at the Berlinale, and Veenker—a member since 2008—was elected to its first official Board of Directors. “It’s funny how things come full circle,” said the Portland native. “Jeremy Zimmermann—the London casting director who gave me my big break—was also elected to the Board, so now we’re working together again after 20 years.”
In less than a week, Veenker will join prominent casting directors from countries such as Italy, Poland, Germany, Turkey and the UK to present a series of events at Sarajevo Film Festival highlighting the art and craft of casting. Included are a master class with Debbie McWilliams (the legendary casting director of the James Bond franchise); a panel featuring Italian casting director Francesco Vedovati (Nastro d’Argento winner for Best Casting for Wondrous Boccaccio, as well as this year’s Cannes breakout hit, Dogman), an international acting workshop for a group of 15 performers selected from the regions of ex-Yugoslavia, and of course, the Award Ceremony, presided over by Festival President Miro Purivatra.
“I’m so proud of what we’ve been able to pull together,” says Veenker, “but what I’m most excited about is that we’re bringing Meals for Monologues to Sarajevo.” Meals for Monologues (first conceived by Chicago casting director Claire Simon, and now practiced by casting companies across the U.S.) is an open casting call/food drive, where actors have the chance to audition in exchange for cans of food for the needy.
Cast Iron Studios, Veenker’s company, has hosted a Meals for Monologues in Portland every year for the past seven years, so when the ICDN Board was debating what it could do for the refugees as part of its Sarajevo program, she jumped in to organize it.
“Meals for Monologues is such a great event, because it’s a win for everyone: The actors get to meet casting directors; we get to discover new talent, and the food bank gets its shelves stocked. In Sarajevo, we’ll have nine or ten internationally-known casting directors auditioning actors from all over former Yugoslavia—a vibrant region with lots of talented, professional performers who rarely get a chance to be seen outside their home countries.” In exchange for their three minutes of fame, actors will make symbolic donations of food, blankets and hygiene supplies. All proceeds will benefit Sarajevo-based non-profit, Pomozi.ba, which provides support and advocacy for the growing number of refugees in Bosnia-Herzegovina.
Hidden amongst the rolling mountains and deep forests of the Pacific Northwest sits a breeding ground for one of the deadliest terrains in the world. Known as a serial killer’s playground, this land once dubbed “Wonderland” due to its grandeur and summer beauty, washes away into nine dreary months of rain that bring gray skies and a falling mist that drives the demons among us to kill. These are THE WONDERLAND MURDERS.
In tonight’s pilot episode, “Pacific Terror,” Detective Molly Daul works two homicides back to back, and she realizes she’s dealing with a sexual predator who targets trusting young women. Arrested before he can kill again in Seattle, his chilling confession remains with Molly to this day.
Check out our great local cast on the series’ IMDB page!
We are super proud to be one of the community sponsors of a new exhibit at Portland International Airport, which was unveiled on Tuesday, May 29th, 2018, and will remain in place for at least the next two years!
The new Oregon Film History Mural and Poster Exhibit showcases #OregonMade productions such as Paint Your Wagon, Stand By Me, One Flew Over the Cuckoo’s Nest, and more recent projects, such as Twilight, Grimm, and Wild.
The mural is located in the Portland International Airport’s south pedestrian tunnel which connects the parking garage to the terminal. It provides travelers with over 160 uninterrupted feet of mural art and posters, representing a small collection of Oregon’s rich film history, and casts a light on Oregon’s unique locations, talented industry members, and film-friendly environment.
We are thrilled to announce Bad Samaritan hits the theaters this weekend! We loved working on this film. Be sure to check out these amazing Pacific Northwest actors!
Watch the trailer here:
“Dean Devlin is a masterful director and does a fantastic job of slowly and mercilessly building tension scene-by-scene. The entire cast gives strong performances including Kerry Condon as Erendreich’s prisoner Katie (who delivers what is probably my favorite line of the film). David Tennant is unrelentingly intense and razor sharp as Cale Ehrendreich.” – Casey Walsh, GWW
Due to the overwhelming response to our recent casting call announcement for the Netflix hit series, American Vandal, Cast Iron Studios has made available a self-tape option for Pacific NW residents who were unable to snag an appointment for the auditions in Portland on January 6th.
AMERICAN VANDAL – PORTLAND SELF-TAPE OPTION
If you are a Pacific Northwest resident between the ages 14 to 22, and were unable to reserve an appointment time for Saturday’s open call, you may submit a self-tape audition through Sunday, January 14th, 2018.
Our staff is making this option available with the following caveats:
Talent based outside of the Pacific Northwest will not be considered. You must be able to provide a valid physical address (not a PO box) in Oregon or Washington, and/or proof of NW talent agency representation.
You must be legal to work in the U.S. Production will not assist with work visas for roles on this project.
Applicants must be between the ages of 14-22 on February 12, 2018. Not 13. Not 23. Ages 14-22 only. We mean it!
We cannot guarantee we’ll get a chance to watch all of the auditions by the deadline. We’ll do our best, but we’re humans, and there are only 24 hours in a day. (Hint: By keeping your audition short, you’ll be helping us view more clips, so keep it under 2-3 minutes!)
You will only hear from us if we are interested or need more information from you. We simply cannot respond to the volume of questions and requests for status updates. By submitting your audition, you agree not to flood us with phone calls, emails, blog comments, social media messages or carrier pigeons. Please help us have more time to watch everyone’s videos. We promise we’ll be in touch if we need you! Thank you in advance.
We recommend that interested parties watchSeason Oneof the series, prior to submitting.
Please click on the link below to apply. Be sure to follow all instructions carefully.
Cast Iron Studios is committed to diverse, inclusive casting. There is no charge to create a basic profile in the company’s database, and no fees will be charged to talent who take part in the show. For more information, visit castironstudios.com.